The Charleston dance was "The King of dances" in 20th century and had a huge influence on American culture.  In this blog you can find out different ways of how to do the dance, its technique and footwork.

Charleston dance history

Charleston is a name of the city, dance style, step and song. Scholars attribute the spread and invention of the geechee inspired Charleston dance to the Jenkins Orphanage Band boys from Charleston city, South Carolina. The Charleston song written by John P. Johnson, inspired by Gullah rhythms, became the signature tune for the dance.

This dance has African roots and was created by African - American people. It was first sighted in the streets of Harlem in 1903. Though it was popularised by young flappers during 1920's. It became internationally known thanks to Josephine Baker Parisian "Le revue negre".

If you'd like to learn about the origins of the dance there is a full blog on The History of The Charleston dance. 

6 version of how to do the Charleston step

In order to know how to do the Charleston “basic” step we should know that it has changed with time and place. It started as a step with twists, then transformed into a crazy wild kicking move with the swing era.
There are at least 6 versions of the “basic” step: groove walk, kicks, swinging kicks, 20’s twist, 20’s glide, and afro version “reverse twist” Charleston. Each version has its specifics.

1. When doing groove walk, we should remember to keep a steady and strong bounce (pulse).
2. For kicks the most important thing is to keep the right timing of the kick step and kick from the knees.  All while keeping the body inclined forward and only forward and making sure to move with the kicks and not to stay on one spot.
3. 20’s Charleston style with twists has its thing in a constant (every single beat) energetic though light twisting of the feet with the weight on the balls of the feet. All while making the kick up in the air and accentuating the weak (off) beat.
4. 20’s glide is similar to 20s Charleston twist but is done without lifting the feet off the floor this way creating continuous gliding on the floor.
5. Finally, to do the reverse Charleston twist we shall keep the legs bent low and keep the whole foot on the ground with the weight mainly of the heels.

In this video you can learn 6 basic versions of how to do the Charleston “basic” step: groove walk, kicks, swinging kicks, 20’s twist, 20’s glide, and afro version “reverse twist”.

35 Charleston variations

Here is a video of two legendary dancers Al Minns and Leon James perform jazz dances talk show "Playboy's Penthouse". You can hear Marshall Stearns discusses the dance history with Hugh Hefner. This was probably filmed around 1960. Stears explains that there were 35 variations of the Charleston step. Minns and James show a few: original 20's charleston, scare crow, squat, around the world, high kick and hand to hand variations.

How to do the 20s Charleston dance style?

20s Charleston is not only a step, it’s a style. A style that is defined by music, clothing style, manner and expression. 20s Charleston was a craze during the Jazz Age. It is danced to ragtime, hot jazz and charleston.In order to look authentic we should remember a few important technical elements on how to do the 20s Charleston:

1. As it is danced to ragtime and hot jazz (early jazz, Dixieland, New Orleans jazz). The music is syncopated and has a “rag” rhythm though it is still quite even. The accentuation is on 2 and 4 and so will be the bounce, as the bounce always reflects the music rhythm.
2. As the music is ragged and the body can embody this quality the best when being more “puppet” like. It is better if we use more joints rather than muscles for the light, ragged, fast movements of 20s Charleston
3. The accentuation is on 2 and 4 and so should be the accent when doing the 20s kicks. The accent is in the air and not on the floor.

Aesthetics of the 20s

There is a lot to learn from seeing the connection of the Charleston dance aesthetics with cultural elements of 20th century America.

• Deep connection to African roots reveals elements of improvisation, spontaneity as well as grounded body position.
• There is connection with flappers and their revolutionary new image of a woman and sexually charged movements.
• Comedy connects to 20s Charleston with its silly moves and irony.
• We can see connection with silent movies through the exaggerated overly dramatic expressions.
• Finally eccentric dance is a part of this dance culture with its legomania and bizarre movements.

You will look super authentic if you will include those qualities, impressions in your dance.

Its important to mention that this dance was immensely popular during the period of 1920's Prohibition as well as 1930's Great Depression. When US stock market crashed and part of the society was left in complete poverty, dancing for many was an anti - depression pill. It swept the worries away.

Look at the fantastic Bee Jackson, the “Queen of Charleston” and get ideas on how to do the Charleston! Miss Bee Jackson of the Piccadilly Cabaret and Kit Kat Club demonstrates her gimmick - dancing on a very small floor space.

 

In this demo video you see me demonstrating the concept of a “Silent Movie”. I am slowing down and speeding up in the real time (without FX), while searching for exaggerated overly dramatic face expressions. The idea comes from the fact that the music was layered on silent movies after the film was done. Oftentimes the music played an atmospheric role. Therefore the dance and movements looked out of time with the actual beat of the song.

Animalism and African roots

I'd like to accentuate the connection with animalism in dance movements as the Charleston dance belongs to the family of African-American vernacular dances. To know more on what are the characteristics of African-American dances that as well reflect in the this dance, read the blog on “ A brief cultural history of black dance” 

In this video class from the course Secrets of Charleston 20s, where you can learn how to do the step called the “Cow Tail”. Animalistic move, in a way it was inspired by the cows waving their tail to get rid of the flies.

 

All of this and more you can learn by taking a course Secrets of Charleston 20s, course with over 40 video.

Iconic Charleston dancers

Some of the iconic dancers to watch, learn and get inspired:

Josephine Baker
Ann Pennington
Bee Jackson
Al Minns
Leon James
Mildred Melrose
Joan Crawford
Jenkins Orphanage Band boys

In this video playlist on Secrets of Solo channel I collected videos of the most famous dancers, historical figures. Watch to get inspired.

 

The difference between 20s & 30s style Charleston

As we mentioned before the Charleston dance style has changed with time and music. I use this categories to spotlight the difference that was strongly affected by the music, more specifically rhythm section.

20s

In 20s Charleston with hot twists and eccentric moves was danced to ragtime, hot jazz music. It has half time pulse and accentuated the 2 and 4 beat. It replicates the bass tuba or the double bass. Bass tuba line for early jazz was either 1 and 3 or 2 and 4. When double bass came to stage, the players wither played half time notes or doubled up on the same note twice. 1/2 feel reflects in half time pulse in the dancers body. The movement is more even, more vertical and ragged.

The 20s style is based on the twists and twisted kick. The most important image is the "crossed" twisted leg. The legend says, some dancers got "Charleston twist" of the knee, when they twisted too hard.

In this video you can hear a very rag song. Notice that the dancers are holding their bodies more upright. Their pulse is ragged (even jumpy at times).

30s

In 1930's the dance changed with swing music to so called lindy kicks. You could see now dancers doing big wide kicks and travelling across the floor. The feel of the Charleston is 4/4 (4 on the floor). It reflects the double bass in swing tunes, that has a walking line. So called "walking bass".  Musicians say "the bass walks", when the player hits every single note. 4/4 feel reflects in constant pulse in the dancers body. The movement is "spreading", it is more horizontal. It looks softer and smoother.

In this video you can hear the 4/4 feel on the bass and clearly see how dancers reflect it in their smooth pulse. Note, when dancers go to lindy Charleston kicks, how much they lower their upper body and start to hover over the ground.

 

 

 

Music to dance Charleston

Ragtime

The first tune you would think to dance Charleston to is, of course, famous ragtime tune "The Charleston", written by James P. Johnson. The Charleston beat is considered a clave rhythm.

As a musical entity ragtime was, and is, an instrumental work in 2/4 time composed for the piano. The style surfaced in the early 1900's and was developed by composer Scot Joplin. It was the forerunner to jazz. It combines a syncopated series of melodies accompanied by a steady, even rhythm. The left hand plays a steady, almost march-like succession of bass notes and chords while the right hand plays syncopated melodies in a "ragged" manner. Hence, the name of the style.

Here is a Spotify playlist of ragtime tunes. You will hear the music of Eubie Blake, Scot Joplin, James P. Johnson.

Dixieland

Other music style that one can dance 20s Charleston is early jazz.  Early jazz, that is as well called “New Orleans jazz”, Dixieland jazz, hot jazz are the terms referring to the same style of jazz based on the music that developed in New Orleans at the start of the 20th century. Its 4 main influences were ragtime, military brass bands, the blues, and gospel music.

New Orleans jazz or Dixieland Jazz was incredibly popular through the 1920s, Jazz Age. One of the first uses of the term "Dixieland" with reference to music was in the name of the Original Dixieland Jass Band (later changed to "Jazz"). They recorded their first vinyl in 1917. What defines the sound of Dixieland music is that one instrument plays the melody (often trumpet) and all the other musicians improvise around it.

Here is a Spotify playlist with a very popular songs for 20s Charleston. You will hear music of such artists as Original Dixieland Band, Fats Waller, Sidney Bechet, King Oliver's Creole Jazz Band, Frankie Trumbauer and his Orchestra, Fletcher Henderson, Bix Beiderbecke, Jelly Roll Morton, Benny Goodman and other. Or else you can listen to my  YouTube Charleston compilation.

 

Written by Ksenia Parkhatskaya

This Jazz Improvisation is the result of 2h musicality training with my husband and musician/ composer - David Duffy and one of the greatest musicians of all times, a pure and endless inspiration Oscar Peterson.

David was directing my dance by guiding through the music. Teaching me how to listen to music, what to hear and what to accentuate in my dance. A true musicality training!

One of the advices that David gave me was that I should always listen to the idea that musician puts in the solo piece (for ex. solo with loads of triplets, very melodic, solo with breaks and little melodic intrusions etc). Another advice was to think of the whole piece perspective. To see the development. Don't give it all from the beginning and then have nowhere to grow. It is important to hear and react to the volumes of intensity of the music.

Oscar Peterson has always been my inspiration. Since the first day I heard him on radio Hermitage in St Petersburg, I was in love. His improvisation is a flow that has ideas, perspective, development, groove. The best teacher of musicality for me.

Special thanks for the space to Jeder ist Tanzbar, Anna, Oli, Ali & Katja! Tanzbar became my home for the last 2 years.

Music - Oscar Peterson "On a Clear Day"

Dancer - Ksenia Parkhatskaya
Video - Slava Bogatov, David Duffy
Editing - Ksenia Parkhatskaya